Tenderfoot
Music and Lyrics by Razorback
Tender feet step lightly thru my head
Left over sleep still lying in my bed
You’re living in a dream
Too scared to cross the line
The frightened always tell you
Be careful when you shine
Overflowing, incomplete
Bite the hand or be discreet
Life is never easy when your tread on tender feet
Tired eyes look fondly on her face
Watch the years slowly fade from grace
The fire burns so slow beneath an aching breast
The weary always tell you it’s time to take your rest
Overflowing, incomplete
It’s the perfect stain on a dirty sheet
Life is never easy when your tread on tender feet
Silent heart grows weaker everyday
A stranger’s bed is where you long to lay
All the nameless, faceless
I heard a young girl weep
The lonely always tell you
Never let your roots run deep
When you tread on tender feet
Overflowing
Oh, incomplete i sade
Don’t bite the hand
Don’t bite the hand
Don’t bite the hand
Don’t bite the hand
No no no
I said
Gibson Les Paul Standard Review - Are the Changes Worth It?
Along with the Fender Stratocaster, the Gibson Les Paul is synonymous with rock & roll and blues guitar. Though the shape and thick, chunky sound have stayed constant throughout the years, the particulars, from pickup selection to neck design, have been modified to reflect Gibson's continued desire to innovate.
In 2008, Gibson introduced a Gibson Les Paul Standard that contained more than its fair share of alterations, some welcome and some not. Let's take a look at these revisions.
Here's a summation on the changes Gibson implemented. The new Les Paul Standard now includes Strap Locks (Dunlop), chambered body, Grover Locking Tuners, TonePros bridge/tailpiece, Neutrick output jack, and a setup via Plek. If you're familiar with these guitars, you'll right away notice the lighter weight, because of the chambered body.
We didn't ascertain any lack in tone due to the chambered body, and played acoustically, the Les Paul Standard had a well-balanced, deep tone. If you've ever gigged with a Les Paul for any extended period of time, you'll prize the lighter weight.
Since I ordinarily substitute tune-o-matic style bridges with TonePros, the upgraded bridge and tailpiece are a welcome addition, as is the Plek setup, which resulted in a solid playing and sounding guitar right out of the box.
We did have to make a small truss rod adjustment, but for an instrument that was sent halfway across the country, that's regular procedure. For the record, though, this guitar was ready to take to a gig straight out of the box. Not bad.
The finish on the revised Standard is as superb as ever. We went over a Heritage Cherry Sunburst finish that had just a gorgeous flame. We found no defects in either finish or fit, and the fret dressing and setup was as good as we've ever seen from a production instrument. Gibson also opted to exclude the pickguard from this model, though you could easily install one if you miss it. The pickguard is included, however.
We were intrigued when we found that Gibson built this series using an asymmetrical neck profile; however, we have to say that we're glad they did. The profile sports a thicker bass side and a thinner treble side.
Think of it as the best of a 50's and 60's profile in one neck design. The fretwork and factory setup were the best we'd ever seen from an out-of-the-box Gibson.
It's hard for us not to think of a Les Paul without thinking of the sound of a Les Paul cranked up through a Marshall, so we ran the Gibson through a reissue Marshall JCM800 half-stack. We liked what we found, though you do need to know that the chambered body gives the guitar something of a ES-335 sound when cranked. Think old Clapton.
The Burstbucker pickups seemed to be a pretty nice fit, since they are aggressive and dark by nature. There are unquestionably some definitive Les Paul tones to be found here, though the chambered body/Burstbucker combination has its own unique flavor. To each his own. We liked them.
We have to say, though, that there were a couple of things we just didn't care for. Gibson chose to include Neutrik locking input jacks, for example. Some individuals love them, but we're not fans. Still, the Neutrik jacks are superior quality, so we appreciate that at least.
Same goes for the PCB mounted volume and tone pots. In fact, all pots, the pickups, the selector switch, and the jack are all connected to a main PCB board via pluggable connectors. While it's cool in a way, it could also greatly hinder switching a pot or swapping pickups. We were left rubbing our heads on this one.
Still, these concerns are minor. Overall, the new Gibson Les Paul Standard is a terrific guitar in many ways, and we sense the spirit of classic Les Pauls here. Gibson also now makes a "Les Paul Traditional" that might appeal to individuals who want a more conservative Les Paul. Obviously, Gibson has something for everyone in their Les Paul series.
If you are searching for the absolute cheapest price on a new or used Gibson Les Paul Standard, then you need to visit Ray's Guitar Shop, which offers the lowest prices on all new and used guitars. It doesn't matter if you're searching for a Fender Stratocaster, an Epiphone G-400, or a PRS McCarty, Ray's Guitar Shop has what you're looking for!
Article Source: http://EzineArticles.com/?expert=R._S._Rasnick
In 2008, Gibson introduced a Gibson Les Paul Standard that contained more than its fair share of alterations, some welcome and some not. Let's take a look at these revisions.
Here's a summation on the changes Gibson implemented. The new Les Paul Standard now includes Strap Locks (Dunlop), chambered body, Grover Locking Tuners, TonePros bridge/tailpiece, Neutrick output jack, and a setup via Plek. If you're familiar with these guitars, you'll right away notice the lighter weight, because of the chambered body.
We didn't ascertain any lack in tone due to the chambered body, and played acoustically, the Les Paul Standard had a well-balanced, deep tone. If you've ever gigged with a Les Paul for any extended period of time, you'll prize the lighter weight.
Since I ordinarily substitute tune-o-matic style bridges with TonePros, the upgraded bridge and tailpiece are a welcome addition, as is the Plek setup, which resulted in a solid playing and sounding guitar right out of the box.
We did have to make a small truss rod adjustment, but for an instrument that was sent halfway across the country, that's regular procedure. For the record, though, this guitar was ready to take to a gig straight out of the box. Not bad.
The finish on the revised Standard is as superb as ever. We went over a Heritage Cherry Sunburst finish that had just a gorgeous flame. We found no defects in either finish or fit, and the fret dressing and setup was as good as we've ever seen from a production instrument. Gibson also opted to exclude the pickguard from this model, though you could easily install one if you miss it. The pickguard is included, however.
We were intrigued when we found that Gibson built this series using an asymmetrical neck profile; however, we have to say that we're glad they did. The profile sports a thicker bass side and a thinner treble side.
Think of it as the best of a 50's and 60's profile in one neck design. The fretwork and factory setup were the best we'd ever seen from an out-of-the-box Gibson.
It's hard for us not to think of a Les Paul without thinking of the sound of a Les Paul cranked up through a Marshall, so we ran the Gibson through a reissue Marshall JCM800 half-stack. We liked what we found, though you do need to know that the chambered body gives the guitar something of a ES-335 sound when cranked. Think old Clapton.
The Burstbucker pickups seemed to be a pretty nice fit, since they are aggressive and dark by nature. There are unquestionably some definitive Les Paul tones to be found here, though the chambered body/Burstbucker combination has its own unique flavor. To each his own. We liked them.
We have to say, though, that there were a couple of things we just didn't care for. Gibson chose to include Neutrik locking input jacks, for example. Some individuals love them, but we're not fans. Still, the Neutrik jacks are superior quality, so we appreciate that at least.
Same goes for the PCB mounted volume and tone pots. In fact, all pots, the pickups, the selector switch, and the jack are all connected to a main PCB board via pluggable connectors. While it's cool in a way, it could also greatly hinder switching a pot or swapping pickups. We were left rubbing our heads on this one.
Still, these concerns are minor. Overall, the new Gibson Les Paul Standard is a terrific guitar in many ways, and we sense the spirit of classic Les Pauls here. Gibson also now makes a "Les Paul Traditional" that might appeal to individuals who want a more conservative Les Paul. Obviously, Gibson has something for everyone in their Les Paul series.
If you are searching for the absolute cheapest price on a new or used Gibson Les Paul Standard, then you need to visit Ray's Guitar Shop, which offers the lowest prices on all new and used guitars. It doesn't matter if you're searching for a Fender Stratocaster, an Epiphone G-400, or a PRS McCarty, Ray's Guitar Shop has what you're looking for!
Article Source: http://EzineArticles.com/?expert=R._S._Rasnick
Jimi Hendrix - A Vibrant Artist
On November 27, 1942, the US saw the birth of an amazingly talented musician and artist in the persona of Jimi Hendrix. Born as Johnny Allen Hendrix, he had his name changed to James Marshall and eventually took the nickname "Jimmy" from his father, James Al Hendrix. His father recalls the small Jimmy using their broomstick as a guitar. This prompted him to give little Jimmy a ukulele. The boy's passion for playing guitar never dwindled since then.
Although he has no formal education in this field as he was not even able to write or read musical pieces, in just four years after starting his career, he was already recognized that time by his unique and moving style. With such expertise, he was able to render vibrant and creative rock music through distortion of sounds and feedback with a combination of fuzz and other styles in a fascinating way.
During the Woodstock Music and Art Fair Festival in 1969, people who witnessed him play a renegade rendition of the "Star Spangled Banner" in his own musical jive, may still smile until this moment whenever they look at the USA flag as they sing The American National Anthem.
Other than his unnerving music, he was also famous for his sense of fashion. He would always be spotted wearing medallions, scarves and rings, and, of course, his signature hairstyle.
Even in his untimely death in 1970 -- with some details still remaining a mystery -- his artistry did not die. This electric guitarist and popular 1960s icon even transcended this era as until now, his effects on the new generation is still revived every time they listen to his youthful and raving music, which has captured the kind of energy trapped in the young, and will continue to hold sway for more generations to come.
Pollux Parker is an adventurer who loves discovering secret island getaways in each country he visits. Pollux also likes to collect USA Flag and buy cheap USA Flag.
Article Source: http://EzineArticles.com/?expert=Pollux_Parker
Although he has no formal education in this field as he was not even able to write or read musical pieces, in just four years after starting his career, he was already recognized that time by his unique and moving style. With such expertise, he was able to render vibrant and creative rock music through distortion of sounds and feedback with a combination of fuzz and other styles in a fascinating way.
During the Woodstock Music and Art Fair Festival in 1969, people who witnessed him play a renegade rendition of the "Star Spangled Banner" in his own musical jive, may still smile until this moment whenever they look at the USA flag as they sing The American National Anthem.
Other than his unnerving music, he was also famous for his sense of fashion. He would always be spotted wearing medallions, scarves and rings, and, of course, his signature hairstyle.
Even in his untimely death in 1970 -- with some details still remaining a mystery -- his artistry did not die. This electric guitarist and popular 1960s icon even transcended this era as until now, his effects on the new generation is still revived every time they listen to his youthful and raving music, which has captured the kind of energy trapped in the young, and will continue to hold sway for more generations to come.
Pollux Parker is an adventurer who loves discovering secret island getaways in each country he visits. Pollux also likes to collect USA Flag and buy cheap USA Flag.
Article Source: http://EzineArticles.com/?expert=Pollux_Parker
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