Showing posts with label New York Film Festival. Show all posts
Showing posts with label New York Film Festival. Show all posts

‘Sopranos’ creator makes directorial debut with rock ‘n’ roll movie


NEW YORK – The creator of the popular “Sopranos” is back, this time on the big screen with a new saga set in the New Jersey suburbs filled with teenagers and rock ‘n’ roll instead of mobsters and violence.

David Chase’s cinema debut, “Not Fade Away”, which premiered at the New York Film Festival, is a coming-of-age story set in the early 1960s, centered around a group of teens who form a band and taste the entwined allures of rock music and rebellion.

At the core of the story is Douglas, played by John Magaro with the sleepy eyes and curly mop of a young Bob Dylan, who aspires to become a singer and songwriter.

Along the way come friendships and conflicts among the band members and growing tension with Douglas’ traditionally minded family, particularly his father, played by James Gandolfini.

Joining Gandolfini, best known as mobster Tony Soprano, in the making of “Not Fade Away” is another “Sopranos” alumnus, Steve Van Zandt. Van Zandt played mobster Silvio Dante on the hit HBO television series, produced and written by Chase, which ended five years ago.

A guitarist in Bruce Springsteen’s E Street Band, Van Zandt served as music supervisor for “Not Fade Away” and taught the actors to play hits by Buddy Holly, the Beatles, the Rolling Stones and the Kinks in a 3-month musical studio “boot camp,” he said at a press briefing in New York.

“They’re a band now. They could perform at a party tonight,” Van Zandt said. “It took me, like, 10 years to learn what they learned in three months.”

Chase, 67, said the movie is immensely personal, but he stopped short of calling it autobiographical, despite his stint playing drums in a band as a teenager.

“We never got out of the basement,” he said. “No one ever saw us.”

“Not Fade Away” is infused with music, from the songs the band members learn to play to the ones they dream of playing, the ones they listen to and the music in other scenes viewers get to hear.

And the music illustrates freedom, as promised by rock ‘n’ roll as Douglas tries to follow his dream, and the safer choices made by the older generation, poignantly depicted by Gandolfini as he listens to “South Pacific” show tune “Bali Ha’i” in his tiny New Jersey home.

The movie grows out of the conflict between security and freedom, Chase said.

“Human beings are always in that conflict about ‘I want to be part of something, I want to be babied, I want to be taken care of’ and … ‘I’m free and I can do what I want and I’m my own person,’” he said.

Early reviews have ranged from very good to fair. Some critics praised Chase’s sharp dialogue and his ability to capture the era’s social and political changes, and one described Gandolfini’s performance as Oscar-worthy.

But other critics said Chase failed to develop his characters well and called his plot and story-telling formulaic, bringing no fresh insight to its look at an endlessly scrutinized era in U.S. history.

“Not Fade Away” is slated for release in December by Paramount Pictures.

source: interaksyon.com

Fans, filmgoers get look at vintage Rolling Stones


NEW YORK – Fans celebrating the Rolling Stones’ 50th anniversary get a never-before-seen look at the band on tour in 1965 with a new film revealing the young musicians chased by crazed fans, poking fun at musical rivals and playing raw versions of songs that would become legend.

“The Rolling Stones Charlie is my Darling – Ireland 1965,” premiered at the New York Film Festival held this week, featuring painstakingly restored footage from a hand-held camera of the band’s two-day journey to Belfast and Dublin.

Shot in the wake of the release of “A Hard Day’s Night” with its close-up look at the Beatles, the filming was an effort to get the Rolling Stones used to being followed around by a camera, said producer Robin Klein. It was shot by filmmaker Peter Whitehead.

“They didn’t know what they were going to do with it at the time,” she told reporters at the festival, which like the Stones is also celebrating its 50th anniversary this year. “It was just to have them in front of the camera.”

While edgier and darker than many of their musical contemporaries, Mick Jagger, Keith Richards, Brian Jones, Bill Wyman and Charlie Watts nevertheless exude a youthfulness and affability as they cavort for the camera.

But their sophistication shines through, particularly in Jagger’s comments pondering the band’s success and the politics of the era. Also on display is the Stones’ sexual power, as the notorious front man seduces audiences into such a frenzy that the band is chased off stage in Belfast by excited fans.

The tour took place just weeks after “(I Can’t Get No) Satisfaction” hit the top of the musical charts.

Behind the scenes, the film shows Jagger and Richards playfully singing the Beatles’ tunes “I’ve Just Seen a Face” and “Eight Days A Week” and imitating Elvis Presley crooning “Are You Lonesome Tonight.”

“Charlie” features more than 90,000 hand-restored individual frames, and more than half of it has not been seen publicly before, said director Mick Gochanour.

Two earlier and shorter versions were made from the footage in the 1960s but never formally released, although they made their way into the bootleg market, said film publicist Tracey Jordan.

“Charlie is my Darling,” will be released in DVD and Blu-ray formats as part of a box set on sale worldwide on Nov. 6.

source: interaksyon.com