Showing posts with label Jeff Beck. Show all posts
Showing posts with label Jeff Beck. Show all posts

Jeff Beck Group missed Woodstock over wife affair rumour


Rod Stewart has told how the Jeff Beck Group missed the chance to appear at the Woodstock festival over a rumour about the guitarist’s wife.

They were gearing up to play the iconic event during their final visit to the US – but then Beck flew home after hearing his other half was having an affair.



In a Rolling Stone excerpt from his book Rod: The Autobiography, singer Stewart recalls how the band played the Fillmore East and the Newport Jazz Festival in the summer of 1969, with the last date on the trip scheduled to be “some outdoor event or other in upstate New York.”


The Jeff Beck Group were staying in a hotel at JKF Airport, waiting to play the show then return to the UK later the same night.

“But then the call came through,” Stewart says. “The gig wouldn’t be happening. Jeff had already flown out. He had got wind of a rumour, which turned out to be false, that his missus was having an affair with the gardener, so he was quite keen to go home.”

Looking back on the missed opportunity to play Woodstock, the singer reports: “Ah, well. Seen one outdoor festival, you’ve seen them all.”

In the same excerpt Stewart discusses the band’s first US trip the previous year, recounting how he and Ronnie Wood decided to make a pilgrimage to the Apollo Theater in Harlem – without considering the risks involved.

“We didn’t think it might be a dangerous place for a couple of white boys to go,” he says. One taxi driver even refused to take them to their destination. But thanks to the way their “London finery” the Harlem crowd accepted them as musicians or performers, and they enjoyed their visit.

He also recounts how he started his first US show half-hiding behind an amplifier, terrified that black members of the crowd might object to his interpretation of blues singing. He says: “I was about to perform, for the first time, in a country in which people were allowed to own guns.”

Rod: The Autogiography is published on October 23.

source: classicrockmagazine.com

The Secret Of Jeff Beck's Guitar Tone

Jeff Beck is probably the most uncompromising rock guitar player - highly unique, versatile, and non-commercial.

He dismisses guitar picks because they are in the way of the true guitar tone, usually doesn't use effects and surprises (and confuses) his listeners with radical changes in stylistic direction. His use of the vibrato bar is unique, his use of tone and volume pots masterful. He often turns down the tone pot altogether and compensates the lack of treble through increased distortion, creating his unique, singing lead tone.

Just with his fingers, vibrato bar and the use of tone and volume pot he can create almost effect-like tones. No other guitarist is so in control of the guitar. Jeff Beck is the master of self-expression.

In terms of equipment Jeff goes through several interesting stages. During his 'Yardbird' days he'd usually rely on early 60's Telecaster models, usually with rosewood fingerboard.

He also used a '52-Mapleneck Tele, modded by Seymour Duncan with Gibson Humbuckers. Around that time Seymour also developed his popular SH-4 Jeff Beck Humbucker.

Then Beck moved on to Gibson Les Pauls to record his legendary Jazzrock albums 'Blow By Blow' and 'Wired'. After meeting Hendrix and his explosive music he contemplates his approach and already on the recordings to 'Wired' he is experimenting with the Fender Stratocaster. This will from now on be his main type of guitar. In the 80's Jeff flirts with a Jackson 'Super-Strat-Style' guitar only to return to Fender, when they launch the 'Strat Plus'. In 1991 Fender comes out with the Jeff Beck Signature Stratocaster and in the later updated model Fender slimmed down the super-chunky neck (which many guitarists found unpractical) and put a set of 'noiseless' Pickups in.

Ampwise, Jeff Beck is always straight forward. During his stint with the 'Yardbirds' a Vox AC-30 is the only amp available. But for his own music he wants a louder and more aggressive tone. So he gets his first Marshall Full-stack. Over time, he replaces his Plexi Marshalls with the JCM-2000. From now on he uses a 50-watt top and two 4x12" cabinets to create his colourful tone.

Only twice he uses different equipment: for the movie soundtrack 'Frankie's House' he plays his Strat and Tele into a Digitech GSP-21 Legend direct into the mixing desk.

For 'Crazy Legs', a tribute to his idol Cliff Gallup he uses a '56 Gretsch Duo Jet and several vintage Fender Combos (Tremolux, Tweed Bassman, Concert & 2x12" Cab and Fender Twin) to recreate the typical Gallup sound.

Chris Basener is a guitarist, composer, producer and instructor who plays instrumental groove rock with vibrant melodies that speaks to the cosmopolitan music fan as much as the guitar community.

The graduate of the Munich Guitar Institute (MGI) in Germany did many clinics and demos at tradeshows and fairs across Europe (Germany, Austria, France and Belgium) performing to tens of thousands of people. He has more free articles on his website http://chrisbasener.com

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